![]() ![]() What I’ve been realizing, though, is that queer fiction set in our world is almost always going to have some component of coming out or identity exploration to it, because queer lives in our world almost always do as well. ![]() The author has license to make up a world where who the main character loves is not an issue. I’ve seen this most in fantasy, in books like Crier’s War by Nina Varela or Gideon the Ninth by Tamsyn Muir. ![]() Lately, I’ve been more into stories where the sexuality of the main character is central to the book, but not at all central to the book’s conflict. Coming out stories are important and powerful, but in some ways they’ve been obscuring other aspects of the lives of queer people. I don’t want to speak for anyone but myself, but I don’t have much interest in coming out stories in my queer YA. ![]()
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